Lou Reed Singing Walk on the Wild Side and Interviewed by Australien Journalists

Watch this video with underground rock star Lou Reed performing his hit Walk on the Wild Side and being interviewed by the australian press. I think everybodey knows the tune since it has been aired by radio stations from all over the world for several decades now. It has a kind of minimalistic melody while in this version the guitar plays a little bit more than just the usual simple chord progression.
The interview is hilarious. Lou Reed limits himself to very short answers like ‘yes’, ‘no’, and ‘I don’t know’ and responding even in a contradictory way. He knows who he is and what he represents …

Holly came from miami f.l.a.
Hitch-hiked her way across the U.S.A.

Plucked her eyebrows on the way
Shaved her leg and then he was a she
She says, hey babe, take a walk on the wild side
Said, hey honey, take a walk on the wild side

Candy came from out on the island
In the backroom she was everybodys darling

But she never lost her head
Even when she was given head
She says, hey babe, take a walk on the wild side
Said, hey babe, take a walk on the wild side
And the coloured girls go

Doo, doo, doo, doo, doo, doo, doo, doo
Doo, doo, doo, doo, doo, doo, doo, doo

Little Joe never once gave it away
Everybody had to pay and pay

A hustle here and a hustle there
New York city is the place where they said
Hey babe, take a walk on the wild side
I said hey Joe, take a walk on the wild side

Sugar plum fairy came and hit the streets
Lookin for soul food and a place to eat

Went to the Apollo
You should have seen him go go go
They said, hey sugar, take a walk on the wild side
I said, hey babe, take a walk on the wild side
All right, huh

Jackie is just speeding away
Thought she was James Dean for a day

Then I guess she had to crash
Valium would have helped that dash
She said, hey babe, take a walk on the wild side
I said, hey honey, take a walk on the wild side
And the coloured girls say

Doo, doo, doo, doo, doo, doo, doo, doo
Doo, doo, doo, doo, doo, doo, doo, doo

Well, Lou Reed obvoiusly does some variations on the lyrics when performing live on stage, but his eventual alterations don’t really change the meaning of the song.

Cannonball Adderley Performing Round Midnight on His Alto Saxophone

In this video clip you can watch alto sax player Julian ‘Cannonball’ Adderley perform the tasty jazz ballad Round Midnight written by Thelonious Monk, another significant jazz piano player of the bop era. In fact, this video is part of an educational television series about jazz (The Subject Is Jazz) where the present clip focusses on bop. The music comes with some comments about Charlie Parker and the way he played the horn (and how it influenced Julian Cannonball Adderley, which you might clearly hear when the band performs Jeannie, a composition of Cannonball Adderly that includes some phrasing that strongly remembers Charlie Parker).

Listen to Piano Player Bill Evans Talking about Improvisation and More

This is a video clip with an interview of well known jazz piano player Bill Evans from 1966. Listen to this musician talking about what he calls the jazz process, considering jazz as a style. It’s interesting that Bill Evans considers jazz as more a creative process than a style, since it is recovering the essence of improvisation that had already been present in the classical or concert music from the 17th century.
He also points out that in this process the composer and time have a one on one relation while for concert music composition the composer might write in one minute something that will take several minutes to play it or vice versa.
According to Bill Evans, the art of music is the capability to speak with creative spontanity. The jazz musician must be concentrated on the moment, the moment has to be shaped by intention and requires the jazz musician to be there with all of his energy while the whole, the complete composition is the product of a series of creative moments.

Composer Arnold Schönberg in an Interview about Art and Music

In this video clip you can see some images of Arnold Schönberg’s paintings and personal photos while he is being interviewed about different issues.
Arnold Schönberg belonged to the painting school called Blauer Reiter together with Vladimir Kadinsky and other famous painters. However, Schönberg decided to concentrate on music. In this interview he explains how this happened.
Arnold Schönberg is a very important comoser and can be considered as the logical conclusion of western classical concert music that began with the gregorian choir music with it’s monophonic melodies that could be ‘completed’ initially only with octaves and fifths, since these harmonies are sounding very much the same and music was not for embellishment of the church service itself but for the praising of god. Attention should not be distrated from this goal and music should be no reason to attend the services. One by one, the other 11 notes that exist in between the octave – according to western tuning – where ‘admitted’ in the compositions of Bach, Mozart, Beethoven and the rest of the classical composers. By the time Arnold Schönberg appeared on the music scene, every single note could be present in a composition and this meant to Schönberg and a few others that classical music had come to an end and that the logical evolution asked for atonal music, music without the conventional tonal centers that resulted from the rules of harmony.
In the background sound of the interview, you can listen to some compositions by Arnold Schönberg (Who also was one of rock musician Frank Zappa‘s favourite composers).

Are Video Blogs Going to Stay Alive or Will Copyright Infringement Claims Kill File Sharing on Youtube?

This post will deal about publishing, republishing and copyright. Due to recent limitations of youtube video insertion into our posts, it has become a necessity to post about this issue even though it is slightly off topic regarding the central purpose of this blog which is to contribute to the presentation of the variety of music beyond the standardized music played by the vast majority of tv and radio stations around the globe.
Youtube has developed into an important communication channel with a lot of videos posted daily by users from many countries and regions of the world. Here internet surfers will find a huge archieve of video clips about many issues and a considerable part of these videos deal with music and musicians beside other aspects of the entertainment business and other fields of interest.
The Music Video Guide was created with the idea to help people navigate this immense quantity of videos published and republished on youtube and other video blog platforms and other internet sites. Our purpose was and is to publish or republish a video clip and comment it so that the reader could have a point of departure for the personal evaluation or the corresponding music video and we were very disappointed when about 10 minutes after publishing our post about an interpretation of ‘Der Hölle Rache’ from ‘The Magic Flute’ (‘Die Zauberflöte’) by Wolfgang Amadeus Mozart, the video didn’t show up any more on our blog. Instead there was a short line saying something like ‘Sorry, this video is no longer available’. We inmediately visited the youtube site to learn that in the text fiel which usually contains the code for embedding the video into blogs and other websites there was this laconic line of text: “video insertion disabled by petition”.
This ment a lot of frustration to us. We believe that things like that should not happen and are avoidable. For example if the youtube system would offer the possibility to disable the video embedding at and let’s say within the next 15 minutes after publishing time. Then we could save our efforts of investigating and commenting and focus on other videos whose publishers or republishers aren’t governed by envy or greed but by the sane intention to bring good stuff to the general public’s attention.
Anyway, the Music Video Guide continued with it’s publishing scheme of a video with the corresponding comments and everything went fine for a while until our last post which was about the first movement of the Cello Sonata No. 3 in A major, Op. 69, by Ludwig van Beethoven performed by the marvellous piano player Glenn Gould and the cellist Leonard Rose and recorded around 1960. This time it took only a day to see that the republisher of this video clip had solicited the disallowment of embedding of the clip into other sites.
The preceding lines are about the why of this post, now let’s get into substance.
According to the republisher of this video on youtube, it is extracted from “The Glenn Gould Collection: VOLUME 8 – Interweaving Voices” (Sony SHV 48412, VHS, NTSC). We are strongly convinced that this youtube publisher didn’t upload the video on behalf of Sony who seems to be the copyright holder, as far as we can deduce from the information provided and will do a little research about the authorisation for uploading on youtube, among some other actions related to this incident.
The easiest thing would be to download this video from youtube which is very easy if you have installed Realplayer or other similar software and then upload it on our own account so that we could embed it pointing to our own upload.
However, at uploading time youtube show a copyright notice, telling you to not upload anything which isn’t your work or public domain. Now, we could edit the video a little bit, to comply with the rule of utilization of only a certain percentage of original material and make it “ours”. Or we could argue that since the mentioned video only represents the first movemento of three of the Cello Sonata No. 3, this is already sliced down to comply with this kind of rule (note: correction subject to detail investigation regarding varying national and international legislations).
But maybe, the youtube republisher (http://www.youtube.com/user/inwit) considers that this video clip is already reduced in size and quality in comparison with the original Sony VHS tape and that this fact is enough to not infringe the rights of copyright holder Sony. We will find out and would appreciate your comments regarding the issue.

John Coltrane interview from 1960

John Coltrane talks about his favourite musicians and what he likes most of his own work. This video is a jewel since it presents John Coltrane in an interview expressing his ideas about the music he is performing instead of playing his saxophone or flute. The pictures of the movie are the front covers of John Cotrane’s records.
John Coltrane talks about the instrument tone he would like to improve and on getting things to the lyrical level, about his favourite musicians Sonny Rollins and Dexter Gordon, about Blue Train as his favourite album, about tradition, about his work with the Miles Davis Quintet, the group John Coltrane was playing in when this interview was recorded.

Frank Zappa Ronald Reagan Hairdress and Documentary Video

This video shows Frank Zappa at work in different situations ranging from the making of a music video to working with a 25 performers symphony orchestra that is putting on stage his compositions. It has some interesting parts about the appearance of Ronald Reagan’s hairdress in the mentioned clip. For people interested in more of Frank Zappa’s work: go and visit http://www.fiesta-musical.com where you will find video clips of Frank Zappa playing his music, interviews and appearances on tv shows