David Bowie Performs Heroes Live on Stage

This video shows the legendary David Bowie live on stage performing Heroes, one of his hits. David Bowie is not only a pop music singer, he has also participated in movies like The Man Who Fell From Heaven, where he represented an allien who had come to earth. His androgyne look is part of his brandmark. He certainly belongs to the pop music ambient and has very little to do with the rock music scene. He also reminds some Velvet Underground and Lou Reed music …

Siouxsie and the Banshees Happy House Video Clip

Siouxsie & the Banshees is a rock band that appeared in 1976 in the United Kingdom ans was formed by lead singer Siouxsie Sioux. In their first appearances in public it seemed that the band belonged to the punk music scene, however, soon it became clear that Souxsie was not willy to limit herself and the group to straight punk rock. They began to experiment with rhythm and sounds, so that the famous London newspager The Times referred to Siouxsie and the Banshees as “one of the most audacious and uncompromising musical adventurers of the post-punk era.”
Later, Siouxsie and the Banshees served as an inspiration for the creators of gothic rock, but also for some pop and avantgarde groups and singers.
Siouxsie and the Banshees disappeared from the music scene in 1995 when Siouxsie felt like the group wasn’t going anywhere anymore. The band broke up and Siouxsie now acts with The Creatures.

Shakira and Alejandro Sanz Performing La Tortura

This video clip features Shakira and Alejandro Sanz live on stage together in a concert in Buenos Aires, Argentina, which was organized in an event for fund raising in favour of some part of the population with a social disadvantage.
When we present such a kind of songs in this blog, we usually point out the lack of artistry and focus on saleability of these products made by an uniformly dominated international entertainment industry. Since this concert was organized for a ‘good reason’ we will be more indulgent. However, we still think that this entertainment industry is making tons of money which comes from the pockets of the fans and we are convinced that the enterprises and benefitting stars should put this money from their own pockets instead of using a cover of pretended social commitment with the sole interest of making more publicity for their signed ‘artists’ and to distort the image of a personal profit oriented business by making it appear a socially commited enterprise. Something similar happens when the record labels ask youtube to withdraw certain video clips from the world’s most important moving pictures archieve, claiming copyrights and bringing up arguments like they have to protect the interests of their signed artists when in fact these artists usually like to gain more popularity and don’t receive significant royalties.

The Fabulosos Cadillacs Performing their Hit Mal Bicho

This video clip features the band Los Fabulosos Cadillacs performing Mal bicho, one of their most known hits, live on stage in a concert. The band performs an interesting mix of rap with latin elements like the congas and the use of the brass section, as well as the overall latin rhythm.

Here are the lyrics of this song in spanish language, it deals about discrimination, social differentiation and peace for the world:

Vos que andás diciendo
que hay mejores y peores
Vos que andás diciendo
que se debe hacer
Vos que andás diciendo
que hay mejores y peores
Vos que andás diciendo
que se debe hacer
Escucha lo que canto,
Pero no confundir!
Es de Paz lo que canto.
Que me hablás de privilegios
de una raza soberana
Superiores, Inferiores
Minga de Poder!
Como se te ocurre
que algunos son elegidos
y otros son para el descarte
Ambiciones de Poder

Es malo tu destino
Que marcó tu camino?
La canción que es valiente
Es canción para siempre.

Como dijo mi abuela:
“Aquí el que no corre vuela”
Y en el Planeta son tantos
Como pueden ser tantos?
En la escuela nos enseñan a memorizar
Fechas de batallas
Pero que poco nos enseñan de Amor
¡Discriminar!, eso no esta nada bien
Ante los ojos de Dios Todos somos iguales
Sos el que hace las guerras
Dicta falsas condenas
El que ama la violencia
Que no tiene conciencia (nunca piensa, nunca piensa,
no cuida ni su alma, ¡Mambo!)

¡Mal bicho!
Todos te dicen que sos
Mal bicho
Así es como te ves
Mal Bicho
… 3x

¿Por qué vas lastimando
a quién se ve distinto?
Imponiendo Posturas
Siempre con mano dura.

¡Mal bicho!
Todos te dicen que sos
Mal bicho
Así es como te ves
Mal Bicho
¡Mal bicho!
… 3x

Vos tenés pal’ Abrigo
Otros mueren de frío
Sos el que anda matando
El que va torturando…

¡Mal bicho!
Todos te dicen que sos
Mal bicho
Así es como te ves
Mal Bicho

– Sí

Yo no voy
A la guerra
A la violencia
A la injusticia
Ni a su codicia…

Digo NO!!!
Paz en el mundo!!

Electronic Music Band Tangerine Dream Performing Kiew Mission

This video clip presents the german electronic rock band Tangerine Dream with Edgar Froese, Chris Franke and Johannes Schmoelling performing Kiew Mission which is the opening track from their LP Exit. This album was released in the early 1980s and illustrates the band’s concept. It is interesting to know that Tangerine Dream was a very experimental group in the sense that they always did improvise their concerts, so the same tune never sounded the same. Of course, there is always a well defined theme and mood in each of the pieces.
Tangerine Dream is stil active in the entertainment business and the band’s latest album is called The Five Atomic Seasons. It is a musical journey accomanying Mr. H. T. to an old Zen Monastery where he is getting introduced to the secrets of life and death. Tangerine Dream has been releasing several new albums in the last years and they are DVDs rather than CDs (Let’s forget the LPs belonging to another epoche of entertainment.)
Tangerine Dream’s Bandleader is Edgar Froese who has been experimenting with electronic sounds since the 1970s. The band has always used synthesizers and belongs together with Can to the first generation of german rock groups in the electronic music field while people like Karlheinz Stockhausen had been experimenting with electronic sounds since the synthesizer appeared in the music instrument stores. However, Stockhausen is ‘serious’ composer, he has studied composition on the conservatory. We have posted about him in this blog, see the video clip with his composition Kontakte.

The Rolling Stones Performing Wild Horses in an Accoustic Version

This video clip shows the famous rock band Rolling Stones performing one of their most known songs called Wild Horses. This particular version is played on accoustic instruments. The recording sounds great, almost better than the original album cut. The album that contains this song is Brown sugar and was released in the early seventies.
The Rolling Stones were another rock group from England, as the Beatles. But even though both groups appear almost together on the international rock scene, in fact they are very different, not only musically but they represent different kinds of people. The Beatles were much more ‘compatible’ with society and even when they were critical about certain issues, they did it nicely, while the Stones sounded harsher. No wonder that the Beatles were asked to visit the Queen and get hit by her magic sword so much earlier than the Rolling Stones.
This song has some influences from american country and western music and here are the lyrics:
Childhood living is easy to do
The things you wanted, I bought them for you
Graceless lady you know who I am
You know I cant let you slide through my hands
Wild horses couldnt drag me away
Wild, wild horses, couldnt drag me away

I watched you suffer a dull aching pain
Now you decided to show me the same
No sweeping exits or offstage lines
Could make me feel bitter or treat you unkind
Wild horses couldnt drag me away
Wild, wild horses, couldnt drag me away

I know I dreamed you a sin and a lie
I have my freedom but I dont have much time
Faith has been broken, tears must be cried
Lets do some living after we die
Wild horses couldnt drag me away
Wild, wild horses, we’ll ride them some day

Wild horses couldnt drag me away
Wild, wild horses, we’ll ride them some day.

Sarah Vaughan Performs the Bebop Classic Perdido

This video clip shows Sarah Vaughn or Sassy, as she was called by frriends and fans, performing Perdido which has become a jazz standard to play for jazz musicians. The video is a scene taken from Rhythm and Blues Revenue, a movie made in 1955 which you can download without copyright infringement.
Sarah Vaughan was a very important singer in the jazz scene and has influenced the female jazz singer Anita Baker and many others. After she appeared at age 18 on an amateur contest at the Apollo Theater in New York and won first prize with her performance of Body and soul, another jazz standard, some jazz critics considered her as the most important singer of the bebop era.
In her beginning days as a jazz singer she formed part of Billy Eckstine’s big band where other jazz giants like Charlie Parker or Dizzy Gillespie played in the brass section. Short time after singing in the big bands, Sarah Vaughan decided to form her own band and had almost inmediate success when in 1947 she became number one of the charts with ther performance of the song Tenderly. From thereon Sarah Vaughan also included some pop songs in her singing enlarging her audience and gaining more popularity. However, at the end of the 60s, Sarah Vaughan dropped the pop singing and returned to pure jazz music singing with jazz legends as Louie Bellson, Don Cherry, J.J Johnson, Oscar Peterson and Herbie Hancock, to mention just a few.
Among the best known songs associated with Sarah Vaughan are the tastefull ballad Misty and several songs by Duke Ellington and George Gershwin. She did not loose her singing talent until her sixties when she was still performing for large audiences until her passing away in 1990 at the age of sixty-six.

Bolibana Hip Hop Song by NeedOne from African Country Mali

This music video clip shows music from Africa. It is not the original african polyrhythmic sound, instead it shows some african rap music. Very interesting example of how music forms part of the culture and how globalization and modern communication in general contribute to create a ‘global identity’ with products acceptable all around the world.
Mali is known for its rhythmic variety that combines several different beats over the same time, so to say. Let’s say they traditionally combine a waltz in 3/4 with a swing in 4/4 which is played slightly faster so that the first count of each bar has the first beat of the waltz and of the swing at the same moment while for the rest of the bar both rhythms have no coincidence.
Now listen to the music from this video clip and see that the 4/4 hip hop beat has taken over. If it wouldn’t be for the instruments and melodies in the background, you could say that this music is from New York or any other north american city.
However, this song still speaks about social issues, Bolibana is a slum in Bamako, the capital of Mali, a West African country. The artist NeedOne grew up there and the video shows pictures of it. We don’t understand the lyrics themselves, but we’re sure the words talk about several issues related to the life in the slums all over the world where people pay the toll for others to live in nice neighbourhoods with fancy cars and other privilleges.
Fot those of you who want to learn more about hip hop and rap music, we recommend to visit this page with more videos of hip hop and rap artists as well as domcumentary videos about this new communication channel.

The Chemical Brothers play Surface to Air – Pop Style Experimental Music

This is a music video with the electronic music of the Chemical Brothers who are performing their song Surface to Air. Electronic music is a term with different concepts associated to it: basically we refer to electronic music as modern concert music in the academic style but also to a rapidly increasing number of pop music bands and pieces.
In the beginning of the electronic music era, the sounds were produced experimentally and by huge machines. Karheinz Stockhausen was one of the first composers who experimented with electronically produced sounds, which weren’t necessarily sounds produced by synthesizers. Different composition methods were used to enrich the classical techniques. One possibility was to cut parts of recorded music (which could be conventional music) and rearrange the pieces of tape into arbitrary orders, obtaining surprising result which were not always wellcome by the audiences. Some portions of the tapes even were put together reversed, sounding from the end to the beginning. Nowadays this can be achieved through a simply clic in almost any modern music composition compute software.
On the other hand, at the beginning of electronic music it seemed to be interesting just to obtain naturally sounding synthesized instruments. Music instruments included sound banks with synthesized violins, guitars, trumpets and all the other conventional instruments. And some of the synthesized voices sounded and still sound great, perfectly imitating the original instruments’ sounds.
The development of electronics has made it possible to pack a whole symphony orchestra into a portable keyboard. The resulting type of synthesizers with sound banks of this kind would have been a nice thing to have for the classical composers like Bach or Mozart and the rest and allow modern academic composers to compose with the voices of the different orchestra sections.
We wouldn’t call the corresponding music experimental music which involves new sounds beyond the traditional material for composers. Here enter new methods and techniques for synthesis and assembling, for example the approach of the greek architect and composer Ianis Xenakis who invented an instrument which could be used to transform drawings into music, to mention just one example of new composition techniques.
Then, electronic music became a part of the progessive rock music bands’ repertoire. It was popularized by bands like Pink Floyd and many others who integrated sound effects into their songs, or by bands and artists like Tangerine Dream or Mike Oldfield, for example, who performed music based almost completely on synthesizers. The Chemical Brothers followed this direction and became popular more than 20 years after the first bands introduced electronic compositions, many of them using serial composition methods.
We are aware that this is only a rough introduction to electronic music and we invite you to use the tag cloud and categories of this blog to learn more about this kind of music. You might also want to visit a page about experimental music with examples of new invented music instruments and other experimental approaches.
To finish this article we just want to mention that experimental music hasn’t necessarily to do with electronic music, there are other possibilities, for example transforming objects well known from our usual environment into musical artifacts. Keep looking around and listen to as much different kinds of music as possible, not everything will mean a pleasure to you but some extra-academic and modern compositions will be of interest for you.

Are Video Blogs Going to Stay Alive or Will Copyright Infringement Claims Kill File Sharing on Youtube?

This post will deal about publishing, republishing and copyright. Due to recent limitations of youtube video insertion into our posts, it has become a necessity to post about this issue even though it is slightly off topic regarding the central purpose of this blog which is to contribute to the presentation of the variety of music beyond the standardized music played by the vast majority of tv and radio stations around the globe.
Youtube has developed into an important communication channel with a lot of videos posted daily by users from many countries and regions of the world. Here internet surfers will find a huge archieve of video clips about many issues and a considerable part of these videos deal with music and musicians beside other aspects of the entertainment business and other fields of interest.
The Music Video Guide was created with the idea to help people navigate this immense quantity of videos published and republished on youtube and other video blog platforms and other internet sites. Our purpose was and is to publish or republish a video clip and comment it so that the reader could have a point of departure for the personal evaluation or the corresponding music video and we were very disappointed when about 10 minutes after publishing our post about an interpretation of ‘Der Hölle Rache’ from ‘The Magic Flute’ (‘Die Zauberflöte’) by Wolfgang Amadeus Mozart, the video didn’t show up any more on our blog. Instead there was a short line saying something like ‘Sorry, this video is no longer available’. We inmediately visited the youtube site to learn that in the text fiel which usually contains the code for embedding the video into blogs and other websites there was this laconic line of text: “video insertion disabled by petition”.
This ment a lot of frustration to us. We believe that things like that should not happen and are avoidable. For example if the youtube system would offer the possibility to disable the video embedding at and let’s say within the next 15 minutes after publishing time. Then we could save our efforts of investigating and commenting and focus on other videos whose publishers or republishers aren’t governed by envy or greed but by the sane intention to bring good stuff to the general public’s attention.
Anyway, the Music Video Guide continued with it’s publishing scheme of a video with the corresponding comments and everything went fine for a while until our last post which was about the first movement of the Cello Sonata No. 3 in A major, Op. 69, by Ludwig van Beethoven performed by the marvellous piano player Glenn Gould and the cellist Leonard Rose and recorded around 1960. This time it took only a day to see that the republisher of this video clip had solicited the disallowment of embedding of the clip into other sites.
The preceding lines are about the why of this post, now let’s get into substance.
According to the republisher of this video on youtube, it is extracted from “The Glenn Gould Collection: VOLUME 8 – Interweaving Voices” (Sony SHV 48412, VHS, NTSC). We are strongly convinced that this youtube publisher didn’t upload the video on behalf of Sony who seems to be the copyright holder, as far as we can deduce from the information provided and will do a little research about the authorisation for uploading on youtube, among some other actions related to this incident.
The easiest thing would be to download this video from youtube which is very easy if you have installed Realplayer or other similar software and then upload it on our own account so that we could embed it pointing to our own upload.
However, at uploading time youtube show a copyright notice, telling you to not upload anything which isn’t your work or public domain. Now, we could edit the video a little bit, to comply with the rule of utilization of only a certain percentage of original material and make it “ours”. Or we could argue that since the mentioned video only represents the first movemento of three of the Cello Sonata No. 3, this is already sliced down to comply with this kind of rule (note: correction subject to detail investigation regarding varying national and international legislations).
But maybe, the youtube republisher (http://www.youtube.com/user/inwit) considers that this video clip is already reduced in size and quality in comparison with the original Sony VHS tape and that this fact is enough to not infringe the rights of copyright holder Sony. We will find out and would appreciate your comments regarding the issue.