Glenn Gould Performing Prelude in C Minor by Johann Sebastian Bach

In this little video clip Glenn Gould plays Prelude in C minor from the Well-Tempered Clavier Volume 1 by Johann Sebastian Bach. This clip is an extract from the movie “32 Short Clips about Glenn Gould” and is published on youtube.
Glenn Gould is very famous for his interpretations of the works of Johann Sebastian Bach who wrote a huge amount of compositions for piano solo, with the orchestra and for other ensembles of instruments in different combinations.
The video clip doesn’t show Glenn Gould performing, instead you can see how the different parts of a piano move as Glenn Gould’s interpretation of the tune is sounding.

Rubinstein Performing Impromptu by Schubert

Watch this video with piano player Arthur Rubinstein performing the Impromptu Op. 90 No. 4 by german composer Franz Schubert. Even though Arthur Rubinstein was already 90 years old when he recorded this version of the Impromptu by Schubert, he still plays very well, I would say he finally plays it the best way he could, after such a long life of playing music, taste must have strongly evolved.

Avishai Cohen Trio Performing Emotional Storm Live on Stage

In this video you can see and listen to the Avishai Cohen Trio featuring Avishai Cohen on the accoustic bass, Mark Giuliana on drums and Shai Maestro on the piano. Avishai Cohen is a recognized jazz bass player who has performed with such great jazz legends as Chick Corea and many others. In this video the band plays a mainly quiet piece which nevertheless is full of energy. Notice the perfect synchronization between the musicians. It is always rewarding to see how the musicians communicate on their field of expertise and what beautiful results they can achieve. Words won’t be enough to fully describe the beauty of the music, or maybe they would do just that: describe the music, but never sound like the music itself. Once again we find out that music is a communication channel of its own, independent from the spoken languages.

Walk Spirit Talk Spirit Performed by McCoy Tyner Trio Plus Sax

This video clip features bandleader McCoy Tyner on piano, Eric Kamau Gravatt on drums, Gerald Cannon on the accoustic bass and guest saxophone player Gary Bartz on the alto saxophone.
McCoy Tyner is one of the most impressive jazz piano players with a musical background that includes playing with the legendary tenor saxophone master John Coltrane. The John Coltrane Quartet with McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on drums has recorded some of the best known jazz standard tunes of music history, among them My Favourite Things.
In this video, McCoy Tyner is an old guy who plays with maturity and taste while providing an interesting harmonic base for the imporvisations of Gary Bartz on the alto saxophone. The double bass solo by Gerald Cannon is also very interesting. Funny, it reminds me the classic hard rock song Smoke on the Water by Deep Purple in some parts.
This video only shows the first nine and a half minutes of the song, you can go to youtube and look for the second part which lasts about another four and a half minutes and includes a drum solo by Eric Kamau Gravatt.

Ivry Gitlis Performing the Violin Solo Sonata by Bela Bartok

This video shows Ivry Gitlis, a phenomenal violin player, performing Bela Bartok’s sonata for solo violin. Many people can’t afford this piece (and some more of the compositions written by Bela Bartok) and even think that the violin player is playing out of tune. This happens because this sonata for violin includes microtonalities which means that the composer’s material is not limited to the well known twelve tones of the tempered piano tuning but also include more tones in between the standard twelve notes. Here the space between one note and the following one on the piano is subdivided into more subtle intervals. Naturally this kind of tune cannot be played on an accoustic piano while some synthesizers and keyboards do have a ‘bend wheel’ which would allow to play this piece.
Bela Bartok can be regarded as the most important hungarian composer and has an extensive oevre with compositions for many kinds of symphonic and chamber orchestras as well as for solo instruments. He also put special emphasis on the percussion instruments. His works for piano Microcosmos and Macrocosmos are mandatory repertoire for the beginning and advanced classical piano performer. In these and other compositions Bela Bartok recovers many hungarian, romanian and other folk tunes, treating and integrating them into the concert music repertoire.

Fats Waller Performing Ain’t Misbehavin’ in the Stormy Weather Movie

This video clip is an excerpt of the movie Stormy Weather from 1943. ♫♫ See piano player Fats Waller playing his song Ain’t Misbehavin’. The Stormy Weather movie includes some other jazz artists as well: Cab Calloway, Benny Carter and Bill Bojangles Robinson, among others.
Unfortunately, Fats Waller died much to soon at age 39. Most people say that was because of his unwealthy life style, since Fats Waller drank a bottle of whisky a day, smoked some reefers and ate more than five hamburgers for lunch and dinner ♫.
It is remarkable to see that all people in the movie are black folks, the musicians as well as the visitors of the joint. That’s what jazz really was at that time: music played by black musicians for all black audiences, mostly in joints like the one in the film which frequently were located in zones of tolerance outside the city centers. White people entered the jazz scene when it began look like a good business opportunity.
Fats Waller was a very prolific composer and an excellent piano player. He wrote hundreds of songs, among them Honeysuckle Rose. However, many people don’t know this great jazz piano player and even jazz music fans ignore his existence ♫♫.

Ben Webster Performing the Song Perdido along with the Oscar Peterson Trio

Watch this video clip with the great tenor saxophone player Ben Webster improvising over the chord changes of the song Perdido. Some time ago, we have posted the same song performed by another jazz legend: Sarah Vaughan, go and listen to this version too, then compare and try to find out who you like better.
The group Ben Webster is playing with here is the Oscar Peterson Trio.
Ben Webster was born in Kansas City, Missouri. He started playing the saxophone in the early 20s of the past century and learned a lot from the inmortal Coleman Hawkins. Ben Webster has played with the bands and groups of Bennie Moten, Cab Calloway, Fletcher Henderson, and many others. Ben Webster’s favourite pieces are the jazz ballads, despite his excellent performances with the Duke Ellington Orchestra where he frequently performed up-tempo compositions with great improvisations. Ben Webster passed away in 1973.
As always when we present an important tenor saxophone jazz player, we invite you to participate in our poll and vote about the most important tenor sax jazz musician.

Brahms’ Capriccio performed by Arthur Rubinstein the Great Master of Classical Piano

This video shows the great piano artist Arthur Rubinstein performing a classical composition by german composer Johannes Brahms, the Capriccio No. 2. Arthur Rubinstein is well known as an excellent piano player and discovers the inner structure of this capriccio for our ears. He plays the Capriccio No. 2 out of memory and was 86 years old when performing it for the recording this video. A few years later, Rubinstein got blind and couldn’t read music any more. However, he had already memorized a huge amount of compositions for piano solo and for different concert music orchestras.
Johannes Brahm is along with Luwig van Beethoven and Johan Sebastian Bach one of the most important german composers. These three composers are frequently recalled as the ‘3 Bs’ and each one of them has enriched the body of the classical music repertoire with many valuable pieces and compositions. This composition of Brahms, the Capriccio No. 2 is performed here by a great artist who plays it in his very personal and masterish style. We recommend our readers to look out for more music of this composer who on one side is a very classical composer but on the other side has also integrated some adventurous passages into his work that clearly show his interest in trascending the established limits of harmony and find new contextualizations for his melodies.

Branford Marsalis Quartet Performing Yes and No by Wayne Shorter

Watch this video with the Branford Marsalis Quartet performing the song Yes or No, an original composition by Wayne Shorter that appeared on the LP JuJu on the label Blue Note Records in 1964. Branford Marsalis is one of the greatest tenor saxophone players ever. Whenever he plays you will notice the influence the legendary Bebop sax player John Coltrane has caused over the following generations of jazz musicians, especially over the tenor saxophonists.
On this record Branford Marsalis is accompanied by Jeff ‘Tain’ Watts on the drums who is really heating up things and provides a solid speedy base for the solos of Branford Marsalis on tenor saxophone and Kenny Kirkland on piano, while Robert Hurst is playing the accoustic bass. Our personal point of view almost always rates original recordings higher, so you might want to check out the mentioned Blue Note Records LP JuJu with the composer of this song called Yes or No, Wayne Shorte, on saxophone and accompanied by piano legend McCoy Tyner on piano, Elvin Jones on the drums and Reggie Workman on bass. Notice that McCoy Tyner and Elvin Jones belonged to the original John Coltrane Quartet.
We have no doubt that the original version is ‘better’, but who cares? This is a live performance of a really good and hot jazz quartet and sounds very cool, see how the musicians enjoy their working. We just want to give the credit for composing this song to Wayne Shorter, but that doesn’t mean we greatly enjoy this version by Branford Marsalis and his band.
As always when we post about a tenor saxophone player, we invite you to participate in our poll about the greatest tenor sax player ever.
Branford Marsalis comes out of a family of important jazz musicians and began to play with Art Blakey’s Jazz Messengers as well as with his brother’s band, the Wynton Marsalis Quintet. In the meanwhile he has played with a lot of jazz ‘monsters’ including Sonny Rollins, Miles Davis, Dizzy Gillespie and Herbie Hancock. We strongly recommend you to watch out for more videos and records of this modern jazz legend.

Ludwig van Beethoven Cello Sonata in A Major played by Glenn Gould and Leonard Rose

Unfortunately, some jerk removed the embed ability for this video on youtube. This happens sometimes with people full of envy who don’t want to share the videos they upload to youtube, even thought they are for sure not the copyright holders. They just don’t want other people to enjoy the music videos outside of youtube, a contradiction by itself. Youtube should offer the possibility to disallow embedding at publishing time and not only when some jerk suddenly finds out that his/her video had been republished somewhere. Why wait all the time till somebody actually uses the features of youtube and then destroy his/her work of embedding and commenting? We’re pretty sure that some of the videos which later on where disabled for embedding are not propperty of the republisher, some show a tv station logo and in these cases the corresponding tv station should hold the copyright while the republisher just happens to have a tv recording or DVD. Envy rules the world!
After all, the Music Video guide wants to help people to learn more about the vast spectrum of music beyond the typical pop stuff. We promise to find a way for you to watch this video clip of a recording from 1960 where Glenn Gould on the piano and Leonard Rose on the cello and play the first movement of Ludwig van Beethoven’s Cello Sonata No. 3 in A major which is catalogued as Op. 69 of this famous german composer who lived at the borderline between classical and romantic music. The tempo of this movement is indicated as Allegro ma non tropo.
This is a beautiful interpretation of the piece by both artists, despite the fact that it sometimes seems to be a piano sonata accompanied by the cello and not a cello sonata accompanied by a piano. This might be related to Glenn Gould’s particular style of piano playing but could also be the intention of the composer who in fact was one of the first composers who used to write indications regarding the dynamics of his compositions. This has to do partly with the evolution of piano constructing techniques and the mechanism between the keys and the strings which was changing at Ludwig van Beethoven’s time.
Both musicians put a lot of soul into their playing and there is an anecdote about the recording. Check that both musicians are playing out of memory. Leonard Rose knew this piece from former performances and the recording staff didn’t want to have a stand with the sheet music between the camera and the cello player, so Rose decided to play out of memory to please the producers. Glenn Gould didn’t want to look less talented and so he memorized the entire sonata the night before the recording!